“I am too young to die”: Children and the Cold War

Donna Alvah
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引用次数: 2

Abstract

For many Americans, one of the most enduring images of the Cold War is a little black-and-white cartoon turtle. “Burt,” as he was named by the Federal Civil Defense Administration, rose to iconic status after he starred in a 1951 film telling children that in case of nuclear fallout, the best line of defense was to “duck and cover” (1). Footage of children diving under desks to Burt's happy song epitomizes our early twenty-first century impression of the naivete of Americans who seemed to believe that such a flimsy maneuver might actually safeguard them from a nuclear attack, let alone the sickening effects of radiation. Our collective historical memory of Burt emphasizes the innocence and vulnerability of young children who are victims of anticommunist panic and the threat of nuclear war. If we let ourselves think broadly about the history of children during the Cold War, however, more topics emerge. They reach before and beyond the 1950s, encompassing children in other parts of the world, and disclosing not only what children represented to adults during various phases of the Cold War, but also, in some cases, their own thoughts and agency. This article will examine some central ideas and challenges encountered in pursuing the history of children, and will offer several examples that history instructors may find useful for helping students to learn about the Cold War.
“我太年轻了,不能死”:儿童与冷战
对许多美国人来说,冷战最令人难忘的画面之一是一只黑白相间的卡通小乌龟。“伯特”,1951年,他主演了一部电影,告诉孩子们,万一发生核辐射,最好的防御措施就是“躲起来”(1)。孩子们随着伯特欢快的歌曲跳到桌子底下的镜头,集中体现了我们21世纪初对美国人的印象:他们似乎相信,这种不堪一击的策略实际上可以保护他们免受核攻击。更不用说辐射的恶心影响了。我们对伯特的集体历史记忆强调了儿童的天真和脆弱,他们是反共恐慌和核战争威胁的受害者。然而,如果我们宽泛地思考冷战时期儿童的历史,就会出现更多的话题。它们涵盖了20世纪50年代之前和之后,涵盖了世界其他地区的儿童,不仅揭示了儿童在冷战各个阶段对成年人的代表,而且在某些情况下还揭示了他们自己的思想和行为。本文将探讨在研究儿童历史时遇到的一些中心思想和挑战,并将提供一些例子,历史教师可能会发现这些例子对帮助学生了解冷战很有用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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