"A Recognized Screen": The New York Annual Movie Parties from Parlor to Public

Charles Tepperman
{"title":"\"A Recognized Screen\": The New York Annual Movie Parties from Parlor to Public","authors":"Charles Tepperman","doi":"10.2979/FILMHISTORY.30.1.04","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Scholars and archivists of amateur cinema in recent years have started to appreciate the significant creative accomplishments of this kind of filmmaking. However, amateur films often remain somewhat opaque because we know relatively little about the contexts of their exhibition and reception. To address this challenge, this essay closely examines a specific series of amateur-film screenings held annually in New York during the 1930s. The shifting exhibition circumstances and institutional collaborations of these events illuminate some of the general parameters and challenges of amateur-film exhibition during the period.","PeriodicalId":426632,"journal":{"name":"Film History: An International Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Film History: An International Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/FILMHISTORY.30.1.04","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

ABSTRACT:Scholars and archivists of amateur cinema in recent years have started to appreciate the significant creative accomplishments of this kind of filmmaking. However, amateur films often remain somewhat opaque because we know relatively little about the contexts of their exhibition and reception. To address this challenge, this essay closely examines a specific series of amateur-film screenings held annually in New York during the 1930s. The shifting exhibition circumstances and institutional collaborations of these events illuminate some of the general parameters and challenges of amateur-film exhibition during the period.
“公认的屏幕”:纽约年度电影派对从客厅到公众
摘要:近年来,研究业余电影的学者和档案工作者开始意识到这类电影创作的重大成就。然而,业余电影往往仍然有些不透明,因为我们对它们的展览和接受的背景知之甚少。为了应对这一挑战,本文仔细研究了20世纪30年代在纽约每年举行的一系列特定的业余电影放映。这些事件的展览环境和机构合作的变化,揭示了这一时期业余电影展览的一些一般参数和挑战。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信