From Egypt to Mount Qāf: The Symbolism of the Hoopoe in Muslim Literature and Folklore

T. Schum
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引用次数: 0

Abstract

Abstract:The bird known as the hoopoe (Lat. upupa epops, Ar. hudhud) has been a common motif in the literature and folklore of eastern Mediterranean and Middle Eastern cultures, from ancient to modern times. As a solar symbol, it was often associated with kingship, filial piety, and wisdom, and its body was believed to possess potent magical and medicinal properties. In the medieval Islamic world, the hoopoe also played a prominent cultural role, most notably via its inclusion in the Qur'ānic narrative surrounding the prophet Solomon, and its prominence as the central character in Farīd al-Dīn 'Aṭṭār's (d. ca. 1220 ce) book-length poem The Conference of the Birds (Manṭiq al-Ṭayr). Through a review of Biblical, Egyptian, and Greco-Roman sources alongside medieval Islamic literature and modern folklore, this article argues that the medieval Islamic world did not develop an independent tradition of literature and folklore related to hoopoes, but rather drew upon and continued pre-existing ancient and late antique traditions.
从埃及到山Qāf:穆斯林文学和民间传说中呼拉圈的象征意义
摘要:一种被称为“天头鸟”的鸟。从古代到现代,乌帕·波普斯(乌帕·波普斯)一直是地中海东部和中东文化的文学和民间传说的共同主题。作为太阳的象征,它经常与王权、孝顺和智慧联系在一起,它的身体被认为具有强大的魔力和药用特性。在中世纪的伊斯兰世界,戴套鸟也扮演了一个重要的文化角色,最引人注目的是它在古兰经ānic中围绕先知所罗门的叙述,以及它作为farfard al- d n 'Aṭṭār(公元1220年左右)的书长诗《鸟的会议》(Manṭiq al-Ṭayr)的中心人物的突出地位。通过对圣经、埃及和希腊罗马文献以及中世纪伊斯兰文学和现代民间传说的回顾,本文认为中世纪伊斯兰世界并没有发展出与箍球有关的独立的文学和民间传说传统,而是借鉴并延续了先前存在的古代和晚期古代传统。
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