Classic Jewelry Aesthetics on Payas Agung Badung

A.A.Ngr. Anom Mayun Konta Tenaya
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Abstract

Jewelry is an important and inseparable part of Payas Agung Badung's clothing. In the past, the nobles of the Badung kingdom had exclusive rights to Payas Agung (Balinese Traditional Uniform) which were used only at certain times, such as religious rituals and traditional events. Payas Agung Badung is still used today. specifically for weddings and tooth-filling in the Badung district and Denpasar city. The unique nature of this dress does not only come from the material and design aspects but also from the socio-cultural aspect, especially the artistic value of Payas Agung Badung clothing, which has a strong character. Traditional fabrics harmoniously blend with Balinese jewelry. The focus of this research is on jewelry which is the center of attention of the overall appearance of Payas Agung Badung. This research is a qualitative study using aesthetic theory. The primary data was obtained from the jewelry used at Payas Agung Badung in the period from 1930 to 1970. The secondary data were photographs belonging to the Puri Anom family in Denpasar. The results showed that the beauty of jewelry at Payas Agung Badung comes from intrinsic values, such as raw materials and motifs, as well as extrinsic values, such as the pakem (aesthetic principles) and deep meaning of the jewelry.
Payas Agung Badung的经典珠宝美学
首饰是帕亚斯·阿贡·巴东服饰中不可分割的重要组成部分。在过去,巴东王国的贵族拥有专属权利,只有在某些时候,如宗教仪式和传统活动中才使用Payas Agung(巴厘岛传统制服)。Payas Agung Badung至今仍在使用。特别是在巴东区和登巴萨市的婚礼和补牙。这种服装的独特性不仅来自材料和设计方面,还来自社会文化方面,特别是Payas Agung Badung服装的艺术价值,具有很强的个性。传统面料与巴厘岛珠宝和谐融合。本研究的重点是首饰,首饰是巴亚斯阿贡巴东整体外观的关注中心。本研究是运用美学理论进行质的研究。主要数据来自Payas Agung Badung在1930年至1970年期间使用的珠宝。次要数据是属于登巴萨Puri Anom家庭的照片。结果表明,Payas Agung Badung珠宝的美来自于内在价值,如原材料和图案,以及外在价值,如首饰的pakem(美学原则)和深层意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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