Pengembangan Seni Lukis Kaca di Desa Nagasepaha Kabupaten Buleleng dalam Mendukung Industri Kreatif

I. W. Setem
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Abstract

Glass painting is a unique traditional art in Nagasepaha Village, Buleleng, Bali which has been designated as an Intangible Cultural Heritage by UNESCO in 2020. Glass painting in Nagasepaha Village has relatively long historical roots. Pioneered by Jro Dalang Diah in 1927, it continues to be passed down from generation to generation. Glass painting became one of the main sources of people’s livelihoods in Nagasepaha until now. The product of wayang glass painting is in great demand by both domestic and overseas art collectors due to its unique decorative and naturalistic style. However, currently glass painting faces many challenges to simply survive, especially when faced with various problems that resulted from the Covid-19 pandemic when many glass painters then switched professions. The social restrictions imposed by the government also impact the market and the weakening of people’s purchasing power. For this reason, a breakthrough with the right efforts is strongly necessary for glass painting to survive as a traditional art of Nagasepaha Village which has been proven in the past to be able to improve its people economy. The strategy that is considered appropriate for its development is by synergizing two revitalization concepts, namely the concept of diversifying painting techniques accompanied with textual and contextual revitalization. The revitalization of painting process and techniques is to strengthen indigenous skills to be able to apply them to more diverse media. Textual and contextual revitalization is carried out by applying new products that are varied and more adaptive to today’s market tastes.
玻璃画是巴厘岛布莱棱Nagasepaha村独特的传统艺术,于2020年被联合国教科文组织指定为非物质文化遗产。Nagasepaha村的玻璃画有着悠久的历史渊源。由Jro Dalang Diah于1927年开创,它继续代代相传。直到现在,玻璃画一直是纳加塞帕哈人的主要生计来源之一。大阳玻璃画以其独特的装饰风格和自然主义风格,深受国内外艺术收藏家的青睐。然而,目前玻璃绘画面临着许多生存挑战,特别是面对新冠肺炎大流行导致的各种问题,许多玻璃画家随后转行。政府施加的社会限制也影响了市场,削弱了人们的购买力。因此,要想让玻璃画作为长垣寺坝村的传统艺术继续存在下去,就必须做出正确的突破。过去,长垣寺坝村的传统艺术已经被证明可以改善当地的国民经济。适合其发展的策略是两种复兴理念的协同,即绘画技法多元化的概念伴随着文本和语境的复兴。振兴绘画工艺和技术是为了加强土著技能,以便能够将其应用于更多样化的媒体。通过应用多样化的、更适应当今市场口味的新产品来实现文本和语境的复兴。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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