Historical contributions to the study of Serbian-British relations in the field of music and culture from 1914 to 1941

New Sound Pub Date : 1900-01-01 DOI:10.5937/newso2055091m
Dimitrije Mlađenović
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引用次数: 1

Abstract

The paper deals with the relations between the Kingdom of Serbia / Kingdom of Serbs, Croats and Slovenes / Kingdom of Yugoslavia and Great Britain with special emphasis on their 'encounters' in the field of music and culture during the First World War and then between the two wars, which drew the two fairly mutually distant and insufficiently known 'worlds' closer. That music was an integral part of all major social and state events staged by the two countries at different moments and in different situations throughout the mentioned historical periods can be observed. The paper also shows that research into the role and significance of music in the relations between the two countries and its influence on them was continuously permeated, like a particular 'red thread' - which sublimated the most significant mutual effects of Serbian-British music relations in those times - by the creative work and enthusiasm of Oxford graduate Kosta Manojlović. There is no doubt that all this contributed to a more profound mutual understanding of these peoples and their countries.
1914年至1941年在音乐和文化领域对塞尔维亚-英国关系研究的历史贡献
本文论述了塞尔维亚王国/塞尔维亚人、克罗地亚人和斯洛文尼亚人王国/南斯拉夫王国和英国之间的关系,特别强调了他们在第一次世界大战期间和两次战争之间在音乐和文化领域的“遭遇”,这使两个相当遥远和不充分了解的“世界”更加接近。可以看出,在上述历史时期的不同时刻和不同情况下,两国举办的所有重大社会和国家活动中,音乐是不可或缺的一部分。论文还表明,对音乐在两国关系中的作用和意义及其对两国关系的影响的研究不断渗透,就像一条特殊的“红线”——它升华了当时塞尔维亚-英国音乐关系中最重要的相互影响——通过牛津大学毕业生科斯塔·马诺伊洛维奇的创造性工作和热情。毫无疑问,所有这些都有助于这些国家的人民及其国家之间更深刻的相互了解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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