Figuring in Friction: A Pedagogical Framework for Foundational Studios

Adam Modesitt
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引用次数: 0

Abstract

It is a truism, perhaps, that architectural education should not merely teach tools, vocationally. Architectural education should prioritize conceptual development, interpretive skills, and critical thinking alongside calisthenic exercises in precision, craft, and rigor. The field of architecture however, continues to adopt an expanding array new mediums, predominantly computational and digital, of increasing complexity. Moreover, facility with new digital tools increasingly serves as a perquisite for entry contemporary architectural practice, presenting urgent questions and challenges for foundational architectural education. Architectural education, especially foundational pedagogy, must impart the fundamentals and simultaneously prepare students for the onset professional practice in which they will face an expanding, fragmented landscape of new architectural tools and mediums.Critical questions for foundational pedagogy include the degree to which tool instruction and shoptalk is positioned within the studio environment. Is pedagogy strengthened by the integration of tool instruction within the studio, or should it be siloed outside in dedicated courses? Among new mediums, which best serve as vehicles for imparting design principles? Which modes of production, historically established or new and experimental, best prepare students for professional practice? Does a focused, targeted adoption of specific tools foster conceptual development, or should a wide-range of tools be sampled? Lastly, amid these questions, where can students find space to experiment, assume risk, and begin to establish their own positions?This paper proposes a pedagogical framework for situating these questions within a foundational architecture studio and presents results from a new core curriculum at the Tulane School of Architecture, in New Orleans. A seminal foundational studio pedagogy developed a decade ago at the school is revisited and reappraised in the context of the revised curriculum. Current and past curricula-la share common roots and goals, but diverge in technique, meth-od, and process. Lesson structures similar to the past curricula were adopted in the current pedagogy to facilitate systematic comparisons between approaches and make legible new outcomes. Development of core studio foundational pedagogy necessitates a clear stance on the role of tool instruction within the studio, a pressing challenge in the context of an increasingly fragmented landscape of tools, techniques, and mediums. The new pedagogy at the Tulane School of Architecture embraces this context, and positions the friction generated amidst the application of multiple tools and mediums as a primary site for architectural invention and critical development.
计算摩擦:基础工作室的教学框架
也许,建筑教育不应该仅仅在职业上教授工具,这是不言自明的。建筑教育应该优先考虑概念发展、解释技能和批判性思维,以及精确、工艺和严谨的健美操练习。然而,建筑领域继续采用越来越多的新媒介,主要是计算和数字,越来越复杂。此外,具有新型数字工具的设施越来越多地成为进入当代建筑实践的先决条件,为基础建筑教育提出了紧迫的问题和挑战。建筑教育,尤其是基础教育学,必须传授基础知识,同时让学生为开始的专业实践做好准备,在这些实践中,他们将面对不断扩大的、碎片化的新建筑工具和媒介景观。基础教学法的关键问题包括工具指导和商店谈话在工作室环境中的定位程度。教学方法是通过工作室内工具教学的整合而得到加强,还是应该在专门的课程中孤立起来?在新媒介中,哪种媒介最适合传授设计原则?哪种生产模式,无论是历史上建立的还是新的实验性的,能最好地为学生的专业实践做好准备?集中、有针对性地采用特定的工具是促进概念开发,还是应该对范围广泛的工具进行抽样?最后,在这些问题中,学生在哪里可以找到实验的空间,承担风险,并开始建立自己的立场?本文提出了一个教学框架,将这些问题置于基础建筑工作室中,并展示了新奥尔良杜兰建筑学院新核心课程的结果。十年前在学校开发的开创性基础工作室教学法在修订课程的背景下被重新审视和重新评估。现在的课程和过去的课程有着共同的根源和目标,但在技术、方法和过程上有所不同。目前的教学方法采用了与过去课程类似的课程结构,以便系统地比较不同的方法,并得出清晰的新结果。核心工作室基础教学法的发展需要对工作室中工具教学的角色有一个明确的立场,在工具、技术和媒介日益分散的背景下,这是一个紧迫的挑战。杜兰建筑学院的新教学法包含了这一背景,并将多种工具和媒介的应用中产生的摩擦定位为建筑发明和关键发展的主要场所。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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