JAVANESE BATIK MOTIFS AND ORNAMENTATION AS OBJECTS OF AESTHETICS AND GENERATIVE ART WITH PSEUDO-ALGORITHM

D. R. S. Saputro, Yekti Widyaningsih, A. Wibowo
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Abstract

The batik patterns that are known to be fractal are the reality that there are alternative perspectives that exist among Indonesian society and civilization which are unique relative to the general modern perspective. This uniqueness is important considering that fractals are a form of understanding geometry and system complexity. Pseudo-algorithm in batik is an ornamentation process: klowongan-isenharmonization which starts from the smallest fractional elements of batik motifs (fractals), has selfsimilarity and is carried out through iterative computational methods. Batik as a patterned aesthetic object has pseudo-algorithmic depiction rules that can be treated as a generative art form. Batik that can be developed as fractal batik is batik with geometric motifs. Fractals have initiated a change and presented scientific creativity and progressivity in several fields in the form of interdisciplinary. All computational patterns growth to find fractal character in batik can turn into the sources of creativity to create new motifs.Keywords: Javanese batik, ornamentation, Aesthetic, pseudo algorithm
爪哇蜡染图案和装饰作为美学和伪算法生成艺术的对象
蜡染图案被认为是分形的,这是印度尼西亚社会和文明中存在的另一种观点的现实,相对于一般的现代观点来说,这是独特的。考虑到分形是理解几何和系统复杂性的一种形式,这种独特性是重要的。蜡染中的伪算法是一个装饰过程:从蜡染图案(分形)的最小分数元素开始,具有自相似性,通过迭代计算方法进行klowongan-isenharmonization。蜡染作为一种有图案的审美对象具有伪算法描述规则,可以被视为生成艺术形式。可以发展为分形蜡染的蜡染是具有几何图案的蜡染。分形以跨学科的形式在多个领域引发了一场变革,呈现出科学的创造性和进步性。在蜡染中发现分形特征的所有计算图案都可以转化为创造新图案的创造力源泉。关键词:爪哇蜡染,纹饰,美学,伪算法
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