Brueghel’s Two Monkeys – a Tiny Painting by Bruegel, a Very Short Poem by Szymborska and the Biggest Problems of Mankind

Piotr Kołodziej
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引用次数: 1

Abstract

Abstract There is a great power in works of art. Art provides knowledge about human experience, which is not available in another way. Art gives answers to the most important and eternal questions about humanity, even though these answers are never final. Sometimes it happens that works of some artists encourage or provoke a reaction of other artists. Thanks to this in history of culture - across borders of time and space - there lasts a continuous dialogue, a continuous reflection on the essence of human existence. This text shows a fragment of such a dialogue, in which the interlocutors are a sixteenth-century painter Pieter Bruegel the Elder and a twentieth-century poet and Nobel Prize winner Wislawa Szymborska. Szymborska, proposing a masterful interpretation of a tiny painting by Bruegel, poses dramatic questions about human freedom, formulates a poetic response and forces a recipient to reflect on the most important topics. This text also brings up a question of a word - picture relationship, a problem of translation of visual signs to verbal signs, as well as a problem of translation of poetry from one language to another.
布鲁盖尔的两只猴子——布鲁盖尔的一幅小画,辛波斯卡的一首很短的诗和人类最大的问题
艺术作品有一种巨大的力量。艺术提供了关于人类经验的知识,这是其他方式无法获得的。艺术给出了关于人性的最重要、最永恒的问题的答案,尽管这些答案从来都不是最终的。有时,一些艺术家的作品会鼓励或激起其他艺术家的反应。正因为如此,在文化史上——跨越时间和空间的边界——持续不断地对话,持续不断地反思人类存在的本质。这篇文章展示了这样一段对话的片段,对话者是16世纪的画家老彼得·勃鲁盖尔和20世纪的诗人、诺贝尔奖得主维斯拉瓦·辛波斯卡。辛波斯卡对勃鲁盖尔的一幅小画进行了娴熟的解读,提出了关于人类自由的戏剧性问题,形成了诗意的回应,并迫使接受者反思最重要的话题。本文还提出了一个词与图的关系问题,一个视觉符号到语言符号的翻译问题,以及一个诗歌从一种语言到另一种语言的翻译问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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