My Stage: Participatory Theatre with Immigrant Women as a Decolonizing Method in Art-based Research

E. Mikkonen, M. Hiltunen, M. Laitinen
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引用次数: 1

Abstract

This article discusses how art-based research can function as a decolonizing research method. Its analysis is based on the collaboration of social work and art education disciplines for advancing social justice and deconstructing power dominances. Empirically, the research builds on a participatory theatre project, “My Stage,” with immigrant women. The project was established as part of a larger interdisciplinary project, “Art Gear,” in Northern Finland, which promoted the bidirectional integration of the local population and people with immigrant backgrounds. The research data were collected through participatory observation and reflective discussions by the social work researcher in the theatre workshops. By the analysis of an interdisciplinary team of social work and art education researchers, we develop a context-sensitive framework of art-based research to advance decolonizing research methods, which contribute to supporting the agency and inclusion of marginalized populations in research and in their integration processes at times of complex and rapid demographic and societal changes.
我的舞台:参与戏剧与移民妇女在艺术研究中的非殖民化方法
本文讨论了基于艺术的研究如何作为一种非殖民化的研究方法。它的分析是基于社会工作和艺术教育学科的合作,以促进社会正义和解构权力支配。从经验上看,该研究建立在一个参与式戏剧项目“我的舞台”上,该项目涉及移民妇女。该项目是芬兰北部一个更大的跨学科项目“Art Gear”的一部分,该项目促进了当地人口和移民背景人群的双向融合。研究数据是由社会工作研究者在剧院工作坊中通过参与式观察和反思性讨论收集的。通过对一个由社会工作和艺术教育研究人员组成的跨学科团队的分析,我们开发了一个基于艺术的研究的上下文敏感框架,以推进非殖民化的研究方法,这有助于在复杂和快速的人口和社会变化时期支持边缘化人群的研究和融入过程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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