Muro Mediterráneo versus movimiento moderno

Andrés Martínez-Medina, Paolo Sanjust
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引用次数: 2

Abstract

A decade before there was getting up the Atlantic Wall, there was executed a system of defenses along the Mediterranean coast in Spain (1936-39). The recovery of the same constructions (both of his graphical documents) and his putting in value it can help to consolidate an own memory of the 20th century. This work considers to inventory, to measure and to draw the planes of these architectures to fix the memory that is diluted by the erosion of the time. These military defenses place in many borders: are these defenses properly architecture or are these industrial pieces? Are these a modern architecture? These are walking between two worlds: the one that designs lightweight, flexible and outdated and another that builds heavy, rigid and eternal works. These are walking between two epochs too: the one that perpetuates the epic acts in opposite to the one that shows the disasters. Space, time and matter. They are the most modern ruins of our history built with concrete and disguised in the topography: temples and tombs at the same time. In this reconstruction of the memory, there turns out to be crucial the graphical restitution which is the home of knowledge.
地中海墙与现代运动
在建造大西洋墙的十年前,西班牙在地中海沿岸建立了防御系统(1936-39)。恢复相同的结构(他的图形文件)和他的价值可以帮助巩固自己对20世纪的记忆。这个作品考虑对这些建筑进行盘点、测量和绘制平面,以修复被时间侵蚀所稀释的记忆。这些军事防御工事分布在许多边界:这些防御工事是真正的建筑还是工业建筑?这些是现代建筑吗?他们游走在两个世界之间:一个是设计轻巧、灵活、过时的作品,另一个是设计沉重、僵硬、永恒的作品。他们也行走在两个时代之间:一个是延续史诗的时代,另一个是展现灾难的时代。空间,时间和物质。它们是我们历史上最现代的废墟,用混凝土建造,隐藏在地形中:同时是寺庙和坟墓。在这种记忆的重建中,图像的复原是至关重要的,它是知识的家园。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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