The Witch in His Head: Rupturing the Patriarchal Discourse in Eichendorff's Ballad "Waldgespräch"

Birgit A. Jensen
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引用次数: 1

Abstract

Abstract:This article offers a gender-conscious reading of Joseph von Eichendorff's famous ballad "Waldgespräch" by highlighting the emancipatory elements embedded in the author's changes to Clemens Brentano's original tale of Lore Lay. When read "against the grain," the conversation in the ballad can be viewed as transcribing two opposing discourses: one that encodes hegemonic masculinity by means of a "rational" dualist worldview, and another that disrupts said dominant logic by "conjuring up" an alternative subjectivity to resist patriarchal logocentrism. Furthermore, the article proposes, Eichendorff's Lorelay embodies patriarchy's suppressed Other, meaning that the hunter's supposed death in the forest signifies a victory of the Other.
他头脑中的女巫:艾辛多夫叙事诗《Waldgespräch》中男权话语的断裂
摘要:本文通过突出作者对克莱门斯·布伦塔诺原著《爱之歌》的修改中蕴含的解放元素,对约瑟夫·冯·艾辛多夫的著名民谣《Waldgespräch》进行性别意识解读。当“违背常规”阅读时,叙事诗中的对话可以被视为转录了两种对立的话语:一种是通过“理性的”二元论世界观来编码霸权的男性气概,另一种是通过“召唤”一种替代的主体性来抵制男权的逻各斯中心主义,从而破坏了所说的主导逻辑。此外,本文还提出,艾辛多夫的《爱》体现了父权制对他者的压抑,即猎人在森林中的假定死亡象征着他者的胜利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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