The Iwalewahaus: Displaying Works of African Modernism

N. Siegert
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引用次数: 0

Abstract

In this paper, I will focus on two distinct periods of displaying the collection of modern and contemporary art from Africa at Iwalewahaus, a museum that is part of the University of Bayreuth in southeastern Germany.[1] It was created in 1981 by Ulli Beier (1922–2011) as part of the Africa focus mission of the University of Bayreuth. Beier was a German curator, art patron, collector, and literary critic. He grew up in Pomerania, and later in exile in Palestine as the child of a Jewish father. His family background was an intellectual one; his father collected artworks of German impressionists and he was introduced to art history by visiting museums in Berlin. After having been imprisoned by the British in Palestine towards the end of World War II, Beier went to London to study phonetics. Later, he found a job announcement for the University of Ibadan in Nigeria and went to the place that would become home for him.
Iwalewahaus:展示非洲现代主义作品
在本文中,我将重点介绍在Iwalewahaus展示来自非洲的现当代艺术收藏品的两个不同时期,Iwalewahaus是德国东南部拜罗伊特大学的一个博物馆。[1]它由Ulli Beier(1922-2011)于1981年创建,是拜罗伊特大学非洲重点任务的一部分。贝尔是德国策展人、艺术赞助人、收藏家和文学评论家。他在波美拉尼亚长大,后来流亡到巴勒斯坦,父亲是犹太人。他的家庭背景是知识分子;他的父亲收藏了德国印象派画家的作品,他通过参观柏林的博物馆了解了艺术史。第二次世界大战结束时,贝尔被英国人囚禁在巴勒斯坦,之后他去伦敦学习语音学。后来,他看到了尼日利亚伊巴丹大学(University of Ibadan)的招聘启事,就去了那个后来成为他家的地方。
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