„Wolny mularz’’ Augusta von Kotzebuego – manifest ideowy ubrany w formę jednoaktowej komedii

Abstract

This paper focuses on August von Kotzebue’s play “Der Freimaurer” [The Freemason], as a piece within the prolific genre of comedies about freemasons which emerged in the 1740s, and a work which includes numerous worldview-related allusions. In this context, the author extensively discusses the life and the oeuvre of the playwright who thus far has not been devoted any thorough study in Polish, apart from relatively brief mentions in works on the period and writers he had inspired.