Abstraction between the spirituality of Kandinsky and Mondrian’s geometric art in printmaking

Mohamed Abdel Rahim Abdel Baset Mahmoud, Saleh Mohamed Abdel Moaty, Samah Mohamed Abdel Hamid
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Abstract

: Abstraction is a feature of art in the twentieth century. The ideal of abstraction has become for the artist to be liberated from the subject so that art has its own language that is away from the realistic description of things and depends on the simplicity of shapes and colors. The artist was able to move from the space of imitation to the space of innovation and creativity. Modernity began with Expressionism where; The value of the light receded in front of the outpouring of color violence expressing the raging subjective feelings that rage with passions in a revolution against the inertia of the outside world. Among the most important pioneers of the abstract school are the Russian artist “Vassily Kandinsky” (1866-1944) and the Dutch artist “Pet Mondrian” (1972-1944). Spirituality is necessary in art for Kandinsky as it is necessary in life, so “Kandinsky” transcends his liberation to pure music forms. As for geometric abstraction and rigor, we see it in Mondrian’s work.
抽象之间的精神康定斯基和蒙德里安的几何艺术在版画
抽象是二十世纪艺术的一个特点。抽象的理想已经成为艺术家从主体中解放出来,使艺术有自己的语言,远离对事物的现实描述,依赖于形状和颜色的简单性。艺术家能够从模仿的空间进入到创新和创造的空间。现代性始于表现主义;在色彩暴力的倾泻面前,光的价值退却了,表达了一场与外界惯性的革命中激情澎湃的愤怒的主观情感。抽象派学派最重要的先驱是俄罗斯艺术家“瓦西里·康定斯基”(1866-1944)和荷兰艺术家“Pet Mondrian”(1972-1944)。对于康定斯基来说,艺术需要精神性,就像生活需要精神性一样,所以“康定斯基”超越了他对纯粹音乐形式的解放。至于几何的抽象性和严谨性,我们可以在蒙德里安的作品中看到。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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