Art in the Community

Maja Flajsig, Nevena Škrbić Alempijević, Josip Zanki
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Abstract

This article discusses the culture-making and place-making initiatives created at the intersection of ethnology and cultural anthropology, art and cultural politics. The focus is on the ways in which joint ethnological and artistic involvement can change the dynamics within the local community. As a case study the authors use the project Art in the Community: Redefining Heritage of the Association of Artists ‘Zemlja’ (Croatia, 2018 – 2020). The project was based on one of the most important episodes of socially and politically engaged artistic practices in Central Europe and Western Balkans: the legacy of the Association of Artists Zemlja (1929 – 1935), and naïve art and educational work of renowned painter Krsto Hegedušić. In the locality where they had worked and found inspiration – Hlebine – contemporary artists rethought their heritage and brought it to life through this project. The project was based on participatory approaches, artistic and community-empowering process that included local naïve artists from Hlebine and students of Visual Arts and Ethnology and Cultural Anthropology from Zagreb. The text analyses the potentials and challenges in working with different stakeholders on the region’s cultural scene who take part in the project in order to affirm, negotiate or redefine their culture-building strategies.
社区艺术
本文探讨了在民族学与文化人类学、艺术与文化政治学的交叉点所产生的文化建构与场所建构的主动性。重点是如何将民族学和艺术的共同参与改变当地社区的动态。作为一个案例研究,作者使用了社区中的艺术项目:重新定义艺术家协会Zemlja的遗产(克罗地亚,2018 - 2020)。该项目基于中欧和西巴尔干地区最重要的社会和政治艺术实践事件之一:Zemlja艺术家协会(1929 - 1935)的遗产,以及naïve著名画家Krsto Hegedušić的艺术和教育工作。在他们工作并找到灵感的地方——赫勒宾——当代艺术家重新思考他们的遗产,并通过这个项目将其带入生活。该项目基于参与式方法、艺术和社区赋权过程,包括来自赫勒宾的当地naïve艺术家和来自萨格勒布的视觉艺术、民族学和文化人类学学生。本文分析了在参与该项目的地区文化场景中与不同利益相关者合作的潜力和挑战,以确认、协商或重新定义他们的文化建设战略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.40
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