Libertà, gabbie, vie d’uscita Letteratura scandinava della modernità e della città: 1866-1898

Massimo Ciaravolo
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Abstract

How can the individual find the road to emancipation if modernity, which promises it to him, turns out to be a cage? If he is ensnared and not liberated by social, political, economic and technical-scientific progress, lost in the labyrinth of the big cities? Works from the last decades of the 19th century by Ibsen, Bang, Strindberg, Obstfelder and Claussen show the acute perception of the dilemma, but also invite one to venture into the reading of the signs of the modern: a path with an uncertain outcome, but one that produces decisive results for literature. Heirs to Romanticism, Realism and Naturalism, open to the horizons of Symbolism, these Scandinavian authors inaugurate European Modernism.
《现代与城市》斯堪的纳维亚文学:1866-1898
如果承诺给个人解放之路的现代性变成了一个牢笼,那么个人如何找到解放之路呢?如果他被社会、政治、经济和科技的进步所困住而不被解放,迷失在大城市的迷宫中?易卜生、邦、斯特林堡、奥布斯特费尔德和克劳森在19世纪最后几十年的作品中表现出对这种困境的敏锐感知,但也邀请人们冒险进入现代标志的阅读:一条结局不确定的道路,但却为文学带来了决定性的结果。继承浪漫主义、现实主义和自然主义,对象征主义的视野开放,这些斯堪的纳维亚作家开创了欧洲现代主义。
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