Spuścizna niemiecka, kierunek Polski. Zbiór reprodukcji Seminarium Historii Sztuki na Uniwersytecie Poznańskim (1919–1939)

Kamila Kłudkiewicz
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Abstract

In 1919, the authorities of the newly established University of Poznan took over the buildings and movable property of the German Royal Academy, which had functioned in Poznan between 1903 and 1918. The Seminar of Art History, which was organised at the time, acquired, among other things, a collection of 4,000 slides and 4,000 reproductions which had been used in teaching art history at the German university. Thanks to the first Polish professor of art history, Szczęsny Dettloff, the collection began to grow. Dettloff, one of the fathers of academic art history in Poland, understood perfectly the need to expand the university’s research workshop: the library and the reproduction collection. He built a Polish photo library at the University of Poznan on the basis of the existing German reproduction collection and a set of diapositives acquired in 1919 from the Museum of Wielkopolska (the collection after the German Kaiser Friedrich Museum). The article describes the reproduction collection in the inter-war period, indicates its state of preservation and analyses the role of the local collection in the academic teaching of art history (in the context of the programme of studies, but also of trips for students).
1919年,新成立的波兹南大学当局接管了德国皇家学院的建筑和动产,该学院于1903年至1918年在波兹南运作。当时组织的艺术史研讨会,除了其他东西外,还获得了4000张幻灯片和4000张复制品,这些幻灯片和复制品曾在德国大学的艺术史教学中使用。多亏了第一位波兰艺术史教授Szczęsny Dettloff,藏品才开始增多。德特洛夫是波兰学术艺术史之父之一,他完全理解扩大大学研究车间的必要性:图书馆和复制收藏。他在波兹南大学(University of Poznan)建立了一个波兰照相馆,以现有的德国复制品收藏和1919年从Wielkopolska博物馆(继德国凯撒弗里德里希博物馆之后的收藏)获得的一套底片为基础。本文描述了两次世界大战期间的复制品收藏,指出了其保存状态,并分析了当地收藏在艺术史学术教学中的作用(在研究计划的背景下,也在学生旅行的背景下)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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