Instructional Practices

Tim D. Green, Loretta C. Donovan, J. Green
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引用次数: 3

Abstract

In many ways, an OMA classroom is much like any other classroom. Students are learning and making connections between previous knowledge and new experiences. For any lesson or set of lessons to be successful, the Classroom Teacher, Arts Integration Specialist or Teaching Artist should use a combination of instructional practices in order to reach and involve the learner in the learning process. Certain instructional practices are integral, even definitive of the OMA Program. • Create, Present, Reflect: Each of these three aspects of the performing arts, as outlined by Deb Brzoska, consultant to The Kennedy Center for the Performing Arts, affords a different angle to learning, and, in combination with core curriculum expectations, provides a powerful strategy for creative problem solving and critical thinking. • Describe, Infer, Evaluate: This organized method of experiencing art, again described by Deb Brzoska, leads children through a more complete thinking process. Students begin with simple and complex observations, move through interpretations of those observations and, then and only then, make judgments about the artistic piece. • Higher Order Thinking Skills: OMA lessons go much further than a simple repetition of basic facts. Students learn to apply abstract thinking and problem solving skills to all manner of situations. established a new set of intelligences that can't be judged by an IQ test. Whereas the regular classroom might focus more teaching toward linguistic (word) or mathematical (numbers) intelligences, the OMA classroom draws from spatial (picture), kinesthetic (body), musical (music), interpersonal (people smart), intrapersonal (self) as well as linguistic and mathematical intelligences. OMA teaches and reaches the whole child and, as such, uses the Multiple Intelligences to guide students in making viable connections. • Whole Brain Learning: One of the keys to the success of the OMA Program is that both the right and left hemispheres of the brain are involved in the active learning process, creating a more complete and balanced experience. • Interdisciplinary Teaching: As a rule, activities and lessons relate to a number of disciplines simultaneously. • Inquiry: Teaching by asking questions rather than making statements encourages children's natural curiosity and desire to learn. Students take ownership of their learning when led through a discovery process. The active nature of an OMA lesson is in the spirit of inquiry-based learning. • Analogies: OMA lessons are built upon relating the art form to other curricular disciplines. Discussion guides students to make those connections. • Modeling/guiding: …
教学实践
在许多方面,OMA教室与其他教室非常相似。学生们正在学习,并在以前的知识和新的经验之间建立联系。为了使任何一节课或一组课取得成功,课堂教师、艺术整合专家或教学艺术家应该使用教学实践的组合,以达到并使学习者参与学习过程。某些教学实践是不可或缺的,甚至是OMA项目的决定性因素。•创造、呈现、反思:肯尼迪表演艺术中心顾问Deb Brzoska概述了表演艺术的这三个方面,每一个方面都提供了不同的学习角度,并且与核心课程期望相结合,为创造性地解决问题和批判性思维提供了强大的策略。•描述、推断、评估:这种有组织的体验艺术的方法,再次由Deb Brzoska描述,引导孩子通过一个更完整的思考过程。学生们从简单和复杂的观察开始,通过对这些观察的解释,然后,只有这样,才能对艺术作品做出判断。•高阶思维技能:OMA课程远不止简单地重复基本事实。学生学习运用抽象思维和解决问题的能力,以各种情况。建立了一套不能通过智商测试来判断的新智能。常规课堂可能更多地侧重于语言(单词)或数学(数字)智能的教学,而OMA课堂则从空间(图片)、动觉(身体)、音乐(音乐)、人际(人聪明)、内省(自我)以及语言和数学智能中汲取灵感。OMA教授并触及整个孩子,因此,使用多元智能来指导学生建立可行的联系。•全脑学习:OMA项目成功的关键之一是,大脑的左右半球都参与了主动学习过程,创造了一个更完整、更平衡的体验。•跨学科教学:通常,活动和课程同时涉及多个学科。探究性:通过提问而不是陈述来教学,可以激发孩子天生的好奇心和学习欲望。在发现过程中,学生掌握了学习的主动权。OMA课程的积极性质是基于探究性学习的精神。•类比:OMA课程建立在将艺术形式与其他课程学科联系起来的基础上。讨论引导学生建立这些联系。•建模/指导:…
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