{"title":"Barnet som optik mot världen. Om Ann Jäderlunds barnböcker i förhållande till hennes vuxendiktning","authors":"Lisa Schmidt, Johan Gardfors","doi":"10.14811/CLR.V35I0.140","DOIUrl":null,"url":null,"abstract":"’’The child as an optics towards the world. Ann Jaderlund’s poems for children in relation to her poems for adults.’’ In the discussion of the renowned Swedish poet Ann Jaderlund (b. 1955), her two illustrated books of poetry for children have been widely neglected. In this essay, it is argued that these two books, Ivan’s book ( Ivans bok , 1987) and Iris’s book ( Iris bok , 2002), have a bearing on her poems for adults, and that they should be closely examined by anyone who seeks to understand the poetic practice of Ann Jaderlund. Here, the poetry collection Calendar red. Living of ice ( Kalender rod . Levande av is , 2000) is tentatively read in relation to Iris’s book , which was published two years after the former. The essay draws special attention to the literary debut of Ann Jaderlund, Streamer City ( Vimpelstaden , 1985), which is a minimalistic and language-reflective poetry collection for adults, published two years before the author’s first children’s book. In Streamer City the subject imitates the perception of a small child, striving to renew or liquify the given concepts, and to create a voice of her own. This perspective is central in Ivan’s book and Iris’s book as well, but from a child’s actual point of view, where the objects are not yet caught in concepts. Here, we analyse poems from the four mentioned poetry collections, focusing on how the subjects describe the world in relation to the normative connection between objects and concepts. We reveal how the poet uses the same images and a similar linguistic theme in these works, especially in Streamer City and Ivan’s book , which creates an interesting bridge between the two poetry collections. We advocate an open perspective concerning target groups, and note how the child’s perspective can be regarded as an optics, through wich we may bring our formation of concepts to light. Keywords: Ann Jaderlund; poetry for children; concept formation; language and perception; child perspective in poetry; language as optics (Published: 15 May 2012) Citation: Barnboken tidskrift for barnlitteraturforskning/Journal of Children’s Literature Research, Vol. 35 , 2012 http://dx.doi.org/10.3402/clr.v35i0.18547","PeriodicalId":426234,"journal":{"name":"Journal of Children’s Literature","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2012-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Children’s Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14811/CLR.V35I0.140","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
’’The child as an optics towards the world. Ann Jaderlund’s poems for children in relation to her poems for adults.’’ In the discussion of the renowned Swedish poet Ann Jaderlund (b. 1955), her two illustrated books of poetry for children have been widely neglected. In this essay, it is argued that these two books, Ivan’s book ( Ivans bok , 1987) and Iris’s book ( Iris bok , 2002), have a bearing on her poems for adults, and that they should be closely examined by anyone who seeks to understand the poetic practice of Ann Jaderlund. Here, the poetry collection Calendar red. Living of ice ( Kalender rod . Levande av is , 2000) is tentatively read in relation to Iris’s book , which was published two years after the former. The essay draws special attention to the literary debut of Ann Jaderlund, Streamer City ( Vimpelstaden , 1985), which is a minimalistic and language-reflective poetry collection for adults, published two years before the author’s first children’s book. In Streamer City the subject imitates the perception of a small child, striving to renew or liquify the given concepts, and to create a voice of her own. This perspective is central in Ivan’s book and Iris’s book as well, but from a child’s actual point of view, where the objects are not yet caught in concepts. Here, we analyse poems from the four mentioned poetry collections, focusing on how the subjects describe the world in relation to the normative connection between objects and concepts. We reveal how the poet uses the same images and a similar linguistic theme in these works, especially in Streamer City and Ivan’s book , which creates an interesting bridge between the two poetry collections. We advocate an open perspective concerning target groups, and note how the child’s perspective can be regarded as an optics, through wich we may bring our formation of concepts to light. Keywords: Ann Jaderlund; poetry for children; concept formation; language and perception; child perspective in poetry; language as optics (Published: 15 May 2012) Citation: Barnboken tidskrift for barnlitteraturforskning/Journal of Children’s Literature Research, Vol. 35 , 2012 http://dx.doi.org/10.3402/clr.v35i0.18547
“孩子是看世界的眼睛。安·贾德伦的儿童诗歌与成人诗歌的关系。在瑞典著名诗人安·贾德伦德(生于1955年)的讨论中,她的两本儿童诗歌插图书被广泛忽视。在这篇文章中,作者认为伊凡的书(伊凡的书,1987年)和艾里斯的书(艾里斯的书,2002年)这两本书对她的成人诗歌有影响,任何试图理解安·贾德伦德诗歌实践的人都应该仔细研究它们。这里,有诗集《月历红》。冰的生活(冰棍)。Levande av is, 2000)是与Iris的书联系起来读的,后者比前者晚出版两年。这篇文章特别关注了安·贾德伦德的文学处女作《流光之城》(Vimpelstaden, 1985),这是一本极简主义和语言反思的成人诗集,比作者的第一本儿童书早出版两年。在《流光之城》中,主题模仿小孩子的感知,努力更新或液化给定的概念,并创造自己的声音。这个观点在伊凡和艾瑞斯的书中也很重要,但是从孩子的实际角度来看,这些物体还没有被概念所抓住。在这里,我们分析了上述四部诗集中的诗歌,重点是主题如何描述与对象和概念之间的规范联系有关的世界。我们揭示了诗人如何在这些作品中使用相同的图像和相似的语言主题,特别是在流光之城和伊万的书中,这在两个诗集之间建立了一个有趣的桥梁。我们提倡对目标群体采取开放的观点,并注意到如何将儿童的观点视为一种光学,通过这种光学,我们可以揭示我们概念的形成。关键词:安·贾德伦;儿童诗歌;概念形成;语言与感知;诗歌中的儿童视角;language as optics(发表于2012年5月15日)引文:Barnboken tidskrift for barnlitteraturforskning/Journal of Children Literature Research, Vol. 35, 2012 http://dx.doi.org/10.3402/clr.v35i0.18547