Performing ethnocultural nationalism: Choreographies of Hindu nationalism in theatre performances

Abstract

This article attempts to explore the thespian performances of Hindutva-based ethnocultural nationalism in India using a selection of three plays. A conventional proscenium play, a postmodern proscenium play and a street play are analysed for their various perspectives and strategies of reproducing experiences – of both the victims and the perpetrators – of Hindu nationalism in India. This selection allows to discuss the varied experiences of Hindu nationalism based on class, caste and religion. The trans generic selection, in this particular order also allows to demonstrate an opening up of performance and performativity from conventional thespian spaces to the streets where the plebeian quotidian life plays. It allows the opening up of an ontological space for further deliberations on the ubiquitous quotidian rituals and performances of Hindu nationalism in India.