The Sketches of 20th Century biographers in Urdu literature

Muhammad Sajid Khan
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Abstract

Biographies and Pen-Sketches are two separate branches and lots of these two are available in Urdu Literature as well as writings about these two categories but this article is an effort to find sketches of personalities related to the authors of biographies without whom the author's personality cant be revealed fully. These people may be the author's relatives, friends, peers, observers and other persons who has been with him/her at various stages of author's life. Amongst them may be their parents, children, spouse and other relatives as well as other in the same profession. A good biographer takes are of all the aspects, requirements and dimensions from start to end of an autobiography. A person is central to an autobiography can't be highlighted completely unless different aspects of his/her life are described with reference to other related people. This article focuses on the personalities around the central-to-a-biograpgy person and describes them in the light of various biographies in which he/she is talked about. To support this argument, examples are also taken from the biographies written after the selected biography so that it can be proved that biographers can also tell the importance of presented sketches of other personalities. Although these sketches are not written with any such plan, as compared to formal pen sketches, even then these can be considered important and complete to some extent and are comparable to pen sketches.
20世纪乌尔都文学传记作家的小品
传记和笔画是两个独立的分支,乌尔都文学中有很多这两种类型的作品,也有关于这两类的作品,但本文的目的是寻找与传记作者有关的人物素描,没有这些人物素描,作者的个性就无法充分揭示。这些人可能是作者的亲戚、朋友、同龄人、观察者和其他在作者生命的各个阶段陪伴过他/她的人。其中可能包括他们的父母、子女、配偶和其他亲属以及其他从事同一职业的人。一个好的传记作家从自传的开始到结束,包括所有的方面、要求和维度。一个人是自传的中心人物,如果不参照其他相关人物来描述他/她生活的不同方面,就不能完全突出他/她。本文着眼于传记中心人物周围的性格特征,并结合各种传记对其进行描述。为了支持这一论点,还从选定的传记之后写的传记中取了例子,这样就可以证明传记作者也可以告诉其他人物的重要性。虽然这些草图没有这样的计划,但与正式的钢笔草图相比,这些草图在某种程度上也可以被认为是重要和完整的,并且可以与钢笔草图相媲美。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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