Equivariant Self-Supervision for Musical Tempo Estimation

Elio Quinton
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引用次数: 4

Abstract

Self-supervised methods have emerged as a promising avenue for representation learning in the recent years since they alleviate the need for labeled datasets, which are scarce and expensive to acquire. Contrastive methods are a popular choice for self-supervision in the audio domain, and typically provide a learning signal by forcing the model to be invariant to some transformations of the input. These methods, however, require measures such as negative sampling or some form of regularisation to be taken to prevent the model from collapsing on trivial solutions. In this work, instead of invariance, we propose to use equivariance as a self-supervision signal to learn audio tempo representations from unlabelled data. We derive a simple loss function that prevents the network from collapsing on a trivial solution during training, without requiring any form of regularisation or negative sampling. Our experiments show that it is possible to learn meaningful representations for tempo estimation by solely relying on equivariant self-supervision, achieving performance comparable with supervised methods on several benchmarks. As an added benefit, our method only requires moderate compute resources and therefore remains accessible to a wide research community.
音乐速度估计的等变自监督
近年来,自监督方法已经成为表征学习的一个有前途的途径,因为它们减轻了对标记数据集的需求,而标记数据集是稀缺且昂贵的。对比方法是音频领域自我监督的一种流行选择,通常通过强迫模型对输入的某些变换保持不变来提供学习信号。然而,这些方法需要采取诸如负抽样或某种形式的正则化等措施来防止模型在平凡解上崩溃。在这项工作中,我们建议使用等方差作为自监督信号来从未标记的数据中学习音频速度表示,而不是不变性。我们推导了一个简单的损失函数,它可以防止网络在训练期间在一个平凡的解上崩溃,而不需要任何形式的正则化或负采样。我们的实验表明,仅依靠等变自我监督就可以学习有意义的速度估计表示,在几个基准测试中实现与监督方法相当的性能。作为一个额外的好处,我们的方法只需要适度的计算资源,因此仍然可以被广泛的研究社区访问。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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