Remix Portal: Connecting Classrooms with Local Music Communities

Colin Dodds, Ahmed Kharrufa, Anne Preston, C. Preston, P. Olivier
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引用次数: 1

Abstract

We present an exploration of the potential benefits of connecting music classrooms with the surrounding music community through the act of music remixing. Inspired by the rise of an online participatory culture involving music remixing, we conducted a study where we transposed these activities from their informal, online context to a formal, classroom context. Our goal was not to make students proficient music remixers, but instead to explore whether remixing could serve as a tool to engage learners in their formal education and increase their desire to participate in both online and local music communities. Qualitative methods were used to gather data before Activity Theory was applied to evaluate the issues surrounding moving remixing activities between contexts. Our contribution is three-fold: (1) A demonstration of the benefits and challenges around connecting classrooms to local music communities through music remixing activities (2) Remix Portal, an easy to use music remixing and sharing application which can help young people move beyond a position of passive consumer of music towards a position of active contributor (3) The identification of key design criteria for growing the remixing application into a sustainable and social platform.
混音门户:连接教室与当地音乐社区
我们探索了通过音乐混音将音乐教室与周围音乐社区联系起来的潜在好处。受到涉及音乐混音的在线参与文化兴起的启发,我们进行了一项研究,将这些活动从非正式的在线环境转移到正式的课堂环境中。我们的目标不是让学生精通音乐混音,而是探索混音是否可以作为一种工具,让学习者参与他们的正规教育,并增加他们参与在线和本地音乐社区的愿望。在将活动理论应用于评估围绕在不同语境中移动混合活动的问题之前,使用定性方法收集数据。我们的贡献有三个方面:(1)展示通过音乐混音活动将教室与当地音乐社区联系起来的好处和挑战;(2)Remix Portal,一个易于使用的音乐混音和分享应用程序,可以帮助年轻人从被动的音乐消费者转变为积极的贡献者;(3)确定将混音应用程序发展成为可持续的社交平台的关键设计标准。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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