MODERN ITALIAN FASHION AS UNIQUE SOCIO-CULTURAL PHENOMENON

K. Sergei
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Abstract

The article attempts a comprehensive interdisciplinary consideration of the key aspects of modern italian fashion as a unique sociocultural phenomenon. Regional differences inherent in the fashion of Northern and Southern Italy are noted. The article analyzes the origins of the aesthetic and ideological choice of outstanding fashion designers: D. Armani, D. Versace, R. Cavalli, D. Dolce and S. Gabbana, F. Ragazzi, etc.; special attention is paid to such qualities of their unique heritage as hard work, constant creative search, synthesis of traditions and innovations, «philosophy of perfectionism», productive use of the latest technologies and information communications. The main reasons for the high popularity of italian fashion in modern Russia are considered; conclusions are drawn about its significance for the world cultural and artistic heritage.
现代意大利时尚作为独特的社会文化现象
本文试图对现代意大利时尚作为一种独特的社会文化现象的关键方面进行全面的跨学科考虑。注意到意大利北部和南部时尚固有的地区差异。本文分析了杰出时装设计师的审美和思想选择的来源:D. Armani、D. Versace、R. Cavalli、D. Dolce和S. Gabbana、F. Ragazzi等;特别注意的是他们独特遗产的品质,如努力工作,不断创造性探索,传统和创新的综合,“完美主义哲学”,有效利用最新技术和信息通信。意大利时尚在现代俄罗斯流行的主要原因是考虑;总结了其对世界文化艺术遗产的重要意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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