Pineapple, 022, Conversation – behind the cover art

Jesse W. Standlea
{"title":"Pineapple, 022, Conversation – behind the cover art","authors":"Jesse W. Standlea","doi":"10.5642/steam.20160202.02","DOIUrl":null,"url":null,"abstract":"Abstract Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process and art object coexist.","PeriodicalId":438783,"journal":{"name":"The STEAM Journal","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The STEAM Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5642/steam.20160202.02","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Abstract Many sources date the pit-firing process as a 30,000 plus years-old ceramic firing technique. Every year I take my AP 3D Design class to the beach to fire ceramic pieces using this method. Being a contemporary sculptor who shows in Los Angeles I have always appreciated pit-fired pieces but never used one in my own art practice until now. A connection between the first method of firing ceramics and my art practice seemed unrelated. The title for my piece might add to the disconnect; and yet these seemingly unrelated elements force the work into a place where the artistic process and art object coexist.
菠萝,022,对话-在封面背后
许多资料表明,坑烧工艺是一种有3万多年历史的陶瓷烧制技术。每年我都会带着我的AP 3D设计课去海滩用这种方法烧制陶瓷片。作为一名在洛杉矶举办展览的当代雕塑家,我一直很欣赏坑烧作品,但直到现在我才在自己的艺术实践中使用过。第一种烧制陶瓷的方法和我的艺术实践之间似乎没有联系。我这篇文章的标题可能会加剧这种脱节;然而,这些看似无关的元素迫使作品进入一个艺术过程和艺术对象共存的地方。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信
小红书