Writing Generation: Revolutionary Bodies and the Poetics of Political Economy

Annika Mann
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引用次数: 2

Abstract

This chapter reconsiders the emergence of political economy, biology, and literature as separate fields of research—disciplines—by examining representations of noxious generation in the politics and poetry of the late eighteenth century. In the debate between Edmund Burke and Thomas Paine over the status of the French Revolution, both writers collapse biological theories of reproduction and political theories of social collectivity, depicting generation as the proliferation of embodied collectives stimulated by print. In their poems The First Book of Urizen (1794) and “To a Little Invisible Being, Soon to Become Visible” (probably composed in 1799), William Blake and Anna Barbauld critique that collapse, even as they reflect upon how that collapse is itself facilitated by the tools of poetic discourse, by form and figure. Both poets explore how the “visible form” of writing, the structure of the book, and the figure of the womb are complicit in the generation of new kinds of bodies in the world. In so doing, Blake and Barbauld expose the unavoidably shared ground of poets, political economists, and scientists at the very moment those writers began increasingly articulating their own separateness.
写作的一代:革命的身体与政治经济学的诗学
本章通过考察18世纪晚期政治和诗歌中有害一代的表现,重新考虑政治经济学、生物学和文学作为独立研究学科领域的出现。在埃德蒙·伯克和托马斯·潘恩关于法国大革命地位的辩论中,两位作家都推翻了生殖的生物学理论和社会集体的政治理论,将世代描述为印刷品刺激下体现集体的扩散。威廉·布莱克和安娜·巴博尔德在他们的诗歌《乌里岑的第一本书》(1794年)和《致一个小无形的存在,很快就会变得可见》(可能创作于1799年)中,批评了这种崩溃,尽管他们反思了这种崩溃本身是如何被诗歌话语的工具、形式和形象所促进的。两位诗人都探讨了写作的“可见形式”、书的结构和子宫的形状如何在世界上产生新的身体类型。在这样做的过程中,布莱克和巴博尔德揭示了诗人、政治经济学家和科学家不可避免的共同点,而就在那个时候,这些作家开始越来越多地表达自己的独立性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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