{"title":"Something More and Something Else: Language as Excess and Material [3]","authors":"Daniela Cascella","doi":"10.30965/9783846763339_009","DOIUrl":null,"url":null,"abstract":"In this essay [4], I will consider my activities through writing and with writing [5] as a case study [6] to expose the necessary coexistence of research and specific literary procedures [7]. I will do so by outlining a type of researchinto-writing/writing-into-research [8] that employs language as excess and material [9]—an approach generated by a number of reflections and writing gestures through the work of other writers and poets (Clarice Lispector [10], Bhanu Kapil [11], Alejandra Pizarnik [12] among others) and shaped by writing in English as a second language; writing as a stranger in a language [13]. I will also discuss my role as a writing tutor in an art school [14], along with the generative implications of teaching writing through poetry, “ultra-translation” (Antena), “trancelation” [15], and hybrid forms [16]. The essay will reflect on forms of embedded reflexivity enabled by listening, which become active motors and materials of research, rather than fixed tools of presentation [17].","PeriodicalId":294183,"journal":{"name":"Artistic Research and Literature","volume":"69 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-01-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Artistic Research and Literature","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30965/9783846763339_009","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1
Abstract
In this essay [4], I will consider my activities through writing and with writing [5] as a case study [6] to expose the necessary coexistence of research and specific literary procedures [7]. I will do so by outlining a type of researchinto-writing/writing-into-research [8] that employs language as excess and material [9]—an approach generated by a number of reflections and writing gestures through the work of other writers and poets (Clarice Lispector [10], Bhanu Kapil [11], Alejandra Pizarnik [12] among others) and shaped by writing in English as a second language; writing as a stranger in a language [13]. I will also discuss my role as a writing tutor in an art school [14], along with the generative implications of teaching writing through poetry, “ultra-translation” (Antena), “trancelation” [15], and hybrid forms [16]. The essay will reflect on forms of embedded reflexivity enabled by listening, which become active motors and materials of research, rather than fixed tools of presentation [17].