Something More and Something Else: Language as Excess and Material [3]

Daniela Cascella
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引用次数: 1

Abstract

In this essay [4], I will consider my activities through writing and with writing [5] as a case study [6] to expose the necessary coexistence of research and specific literary procedures [7]. I will do so by outlining a type of researchinto-writing/writing-into-research [8] that employs language as excess and material [9]—an approach generated by a number of reflections and writing gestures through the work of other writers and poets (Clarice Lispector [10], Bhanu Kapil [11], Alejandra Pizarnik [12] among others) and shaped by writing in English as a second language; writing as a stranger in a language [13]. I will also discuss my role as a writing tutor in an art school [14], along with the generative implications of teaching writing through poetry, “ultra-translation” (Antena), “trancelation” [15], and hybrid forms [16]. The essay will reflect on forms of embedded reflexivity enabled by listening, which become active motors and materials of research, rather than fixed tools of presentation [17].
“更多”与“其他”:作为多余和物质的语言[3]
在本文[4]中,我将考虑我通过写作和与写作[5]的活动作为案例研究[6],以揭示研究与具体文学程序的必要共存[7]。为此,我将概述一种研究-写作/写作-研究[8],它将语言作为多余的和材料[9]——这是一种通过其他作家和诗人(Clarice Lispector[10]、Bhanu Kapil[11]、Alejandra Pizarnik[12]等人)的作品产生的许多反思和写作姿态,并以英语作为第二语言进行写作;以陌生人的身份用一种语言写作[13]。我还将讨论我在一所艺术学校担任写作导师的角色[14],以及通过诗歌、“超翻译”(Antena)、“翻译”[15]和混合形式[16]来教授写作的生成含义。本文将反思倾听所带来的嵌入式反身性的形式,它将成为研究的主动动力和材料,而不是固定的呈现工具[17]。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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