{"title":"Satire’s Ecology","authors":"Teresa Shewry","doi":"10.5422/fordham/9780823282128.003.0012","DOIUrl":null,"url":null,"abstract":"This chapter argues that formal techniques associated with satirical humor, including irony, exaggeration, and sarcasm, allow for a disruptive engagement that can orient us into violence, contingency, and potential in relationships between humans, other elements, and other beings. I begin with a reading of Erewhon (1872), where Samuel Butler deploys satire to position settler-capitalist approaches to humans and elements such as water as both unacceptable and avoidable. Moving from Erewhon to a reading of New Zealand poet David Eggleton’ s “Driverless Ute” (2010), I consider the difficulty of facing satire’s fiery structural critiques and imaginaries of potential in this time of climate change, attachment to energy-intensive modern forms of life, and of futures involving the inevitable continuation of ecological upheaval.","PeriodicalId":213745,"journal":{"name":"Ecological Form","volume":"19 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ecological Form","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5422/fordham/9780823282128.003.0012","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This chapter argues that formal techniques associated with satirical humor, including irony, exaggeration, and sarcasm, allow for a disruptive engagement that can orient us into violence, contingency, and potential in relationships between humans, other elements, and other beings. I begin with a reading of Erewhon (1872), where Samuel Butler deploys satire to position settler-capitalist approaches to humans and elements such as water as both unacceptable and avoidable. Moving from Erewhon to a reading of New Zealand poet David Eggleton’ s “Driverless Ute” (2010), I consider the difficulty of facing satire’s fiery structural critiques and imaginaries of potential in this time of climate change, attachment to energy-intensive modern forms of life, and of futures involving the inevitable continuation of ecological upheaval.