Why Collaborative Robots Must Be Social (and even Emotional) Actors

K. Fischer
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引用次数: 17

Abstract

In this article, I address the question whether or not robots should be social actors and suggest that we do not have much choice but to construe collaborative robots as social actors. Social cues, including emotional displays, serve coordination functions in human interaction and therefore have to be used, even by robots, in order for long-term collaboration to succeed. While robots lack the experiential basis of emotional display, also in human interaction much emotional expression is part of conventional social practice; if robots are to participate in such social practices, they need to produce such signals as well. I conclude that if we aim to share our social spaces with robots, they better be social actors, which may even include the display of emotions. This finding is of empirical as well as philosophical relevance because it shifts the ethical discussion away from the question, how social collaborative robots should be, to the question, what kinds of human-robot collaborations we want.
为什么协作机器人必须是社交(甚至情感)演员
在这篇文章中,我讨论了机器人是否应该成为社会行动者的问题,并建议我们别无选择,只能将协作机器人视为社会行动者。包括情感表现在内的社交暗示,在人类互动中起到协调作用,因此必须加以利用,即使是机器人,才能使长期合作取得成功。虽然机器人缺乏情感表现的经验基础,但在人类互动中,许多情感表达也是传统社会实践的一部分;如果机器人要参与这样的社会实践,它们也需要产生这样的信号。我的结论是,如果我们的目标是与机器人分享我们的社交空间,它们最好是社会行动者,甚至可能包括情感的展示。这一发现既具有经验意义,又具有哲学意义,因为它将伦理讨论从“社会协作机器人应该如何”的问题转移到了“我们想要什么样的人机协作”的问题上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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