Baba Tahir-i Uryan ve Kümbeti

Abstract

This study is about Baba Tahir-i Uryan and his grave. Brief information about Baba Tahir-i Uryan is given based on the information in the sources. Secondly, the tomb of Baba Tahir-i Uryan and the cupola over his grave are discussed in the study. The cupola was in ruins and the remaining part was completely destroyed and a new architectural work was built in 1965. The architecture of the work is Mohsen Foruqhi. Since there are no detailed publications written in Turkish about Baba Tahir's cupola, in this study, the architectural and ornamental features of Baba Tahir's cupola were examined at the location of the subject and translated into text as a result of observations. The first and only visual source showing the traditional architecture of the cupola is Minorsky's photograph. Based on these photographs, the demolition of the cupola on Baba Tahir-i Uryan's grave and the construction of a new one has been interpreted as the disappearance of the space embodied by the space related to his art, architecture, aesthetics, poetry and ingenuity. The loss or loss of the space that this photograph points to and reminds, suggests that Baba Tahir-i Uryan was presented to the new world with the new work and accepted by the new world. Baba Tahir-i Uryan is an important sufi who lived in the city of Hamadan, Iran. The poems of Baba Tahir, whose works such as Divan and el-Kelimatu'l-Qisar have survived, deeply influenced many poets and mystics after him. In this study, the records about Baba Tahir-i Uryan in his period and later years are included, and Baba Tahir's understanding of wisdom is also briefly explained based on the available data. Keywords: Baba Tahir-i Uryan, Ehl-i Hak, Hemedan, Serencam.