What we Leave Behind: Exploring Multiple Environmental Legacies in Leslie Marmon Silko’s Gardens in the Dunes

R. Blair
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Abstract

Leslie Marmon Silko's novel Gardens in the Dunes (1996) is unlike her earlier novels both in its reliance to a considerable degree on straegies of the traditional European realist novel and in its inclusion of a variety of global locations. Once again, it is a deeply political novel concerning abuses of indigenous peoples at the turn of the 19th and 20th centuries. But it is also a novel about gardens and in this essay I approach its issues from an ecocritical perspective, exploring its depiction of a range of gardening and horticultural practices and its valuing of ancient legacies. I attempt to evaluate the ability of the Gardens in the Dunes to offer a visionary view of sustainable agriculture.
我们留下了什么:探索莱斯利·马蒙·西尔科的沙丘花园中的多重环境遗产
莱斯利·马蒙·西尔科的小说《沙丘中的花园》(1996)不同于她早期的小说,它在很大程度上依赖于传统的欧洲现实主义小说的策略,而且它包含了各种各样的全球地点。再一次,这是一部深刻的政治小说,涉及19世纪和20世纪初对土著人民的虐待。但它也是一部关于花园的小说,在这篇文章中,我从生态批评的角度来探讨它的问题,探索它对一系列园艺和园艺实践的描述,以及它对古代遗产的评价。我试图评估沙丘花园提供可持续农业的远见卓识的能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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