Assessing Music Listening

K. Thompson
{"title":"Assessing Music Listening","authors":"K. Thompson","doi":"10.1093/oxfordhb/9780190248130.013.67","DOIUrl":null,"url":null,"abstract":"Music listening is defined as a multifaceted process through which individuals become actively involved in making sense of the sounds, feelings, and associations that are part of the listening experience. This sense-making involves complex mental processes resulting in unique musical experiences created by individual listeners. Listening is a way of doing music. While each listening encounter is highly personalized and covert, various components can be shared through verbal, visual, gestural transductions and these provide a basis for assessing music listening. It is suggested that the emphasis in assessment of music listening be on the degree to which the listener successfully engages in the process of sense-making, rather than being limited to the sounds the listener hears. Examples of assessment strategies are provided.","PeriodicalId":349234,"journal":{"name":"The Oxford Handbook of Assessment Policy and Practice in Music Education, Volume 2","volume":"4 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Oxford Handbook of Assessment Policy and Practice in Music Education, Volume 2","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/oxfordhb/9780190248130.013.67","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Music listening is defined as a multifaceted process through which individuals become actively involved in making sense of the sounds, feelings, and associations that are part of the listening experience. This sense-making involves complex mental processes resulting in unique musical experiences created by individual listeners. Listening is a way of doing music. While each listening encounter is highly personalized and covert, various components can be shared through verbal, visual, gestural transductions and these provide a basis for assessing music listening. It is suggested that the emphasis in assessment of music listening be on the degree to which the listener successfully engages in the process of sense-making, rather than being limited to the sounds the listener hears. Examples of assessment strategies are provided.
评估音乐听力
音乐聆听被定义为一个多方面的过程,通过这个过程,个人积极地参与到声音、感觉和联想的理解中,这些都是聆听体验的一部分。这种感觉的形成涉及复杂的心理过程,从而导致个体听众创造出独特的音乐体验。听是一种做音乐的方式。虽然每次聆听都是高度个性化和隐蔽的,但各种成分可以通过语言,视觉,手势转导共享,这些为评估音乐聆听提供了基础。有人建议,评估音乐听力的重点应放在听者成功地参与意义构建过程的程度上,而不是局限于听者听到的声音。提供了评估策略的例子。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信