Ruins. A visual motif of the Spanish real estate crisis (ENG/CAT)

J. Gual
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引用次数: 1

Abstract

Throughout history, ruins have represented the traces of fallen empires and post-battle landscapes. Progressively, with the urbanization of the world, there are more and more ruins which are the result of rapid construction that leaves visible traces: viewed from the air they resemble metastases, or scars. Such ruins become garbage, remains that are derived from intensive exploitation of the territory based on the rationale of the accumulation of capital, rather than the interests of the general public or environmental sustainability. Many television reports, movies and photographic works have addressed the visual motif of ruins in the context of the crisis that began in 2008. The aim of this paper is to contribute to the ongoing reflection on the issue, by examining various nonfiction titles that were published after the Auken Report (2009). My objective is to show the abundance of audiovisual representations which, apart from the testimonies, have served as criticisms of the Spanish development model from an environmental perspective and the marked inequality that this model generates.
废墟。西班牙房地产危机的视觉主题(英/CAT)
纵观历史,废墟代表着衰落帝国的痕迹和战后的景观。随着世界城市化进程的推进,越来越多的废墟是快速建设的结果,留下了可见的痕迹:从空中看,它们就像转移瘤或疤痕。这样的废墟变成了垃圾,是基于资本积累的理由,而不是出于公众的利益或环境的可持续性,对领土进行密集开发的产物。许多电视报道、电影和摄影作品都在2008年危机的背景下探讨了废墟的视觉主题。本文的目的是通过研究奥肯报告(2009年)之后出版的各种非小说类标题,促进对这一问题的持续反思。我的目标是展示大量的视听资料,这些资料除了证词之外,还从环境的角度对西班牙的发展模式以及这种模式所产生的明显的不平等现象提出了批评。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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