Lasem’s Batik Revival through the Revitalization of Arabic Calligraphy and Chinese Sinography

D. Aryani
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Abstract

. This study aims to map the motifs of Arabic calligraphy and Chinese sinography carried out by the Lasem batik production house. The data were collected from literature studies, interviews with the owner of Lasem batik, namely Sekar Kencana, to be analyzed using ATUMICS qualitative methods. Overall, it was found that the presence of motifs from Arabic calligraphy and Chinese sinography positively affected the value of Lasem batik produced. However, the integration of these two motifs has no significant effect on the increase in production and orders from consumers. In addition, this study found that the acculturation of several cultural elements can affect new target consumers who have multiethnic backgrounds. Most of the studies on Arabic calligraphy and Chinese sinography focus on religiosity, but less on its relationship to certain decorative motifs in batik. Therefore, this study contributes to the literature by examining the effect of Arabic calligraphy and Chinese sinography produced on the intangible value in Lasem batik.
阿拉伯文书法与中国国学的复兴:拉萨姆蜡染的复兴
。本研究旨在描绘阿拉伯书法和中国国学的主题,这些主题是由Lasem蜡染制作屋进行的。数据收集自文献研究和对Lasem蜡染店主Sekar Kencana的访谈,使用ATUMICS定性方法进行分析。总的来说,我们发现来自阿拉伯书法和中国国学的图案的存在积极地影响了Lasem蜡染的价值。然而,这两个主题的融合对产量和消费者订单的增加没有显著的影响。此外,本研究发现多种文化元素的文化适应会影响具有多民族背景的新目标消费者。大多数关于阿拉伯书法和中国国学的研究都集中在宗教信仰上,而很少关注其与蜡染中某些装饰图案的关系。因此,本研究通过考察阿拉伯书法和中国国学对拉丝姆蜡染中无形价值的影响,为文献做出贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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