‘I’ve come here to say one magic word to you: cheeseburger.’ The Fly scene-by-scene: Act One

Emma Westwood
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Abstract

This chapter assesses the scenes of Act One of David Cronenberg's The Fly (1986). The film opens with a mid-shot of Seth Brundle (Jeff Goldblum) talking to the camera; the next shot determines Brundle is actually talking to Geena Davis' character of Veronica ‘Ronnie’ Quaife. Within seconds, the two-hander format of the narrative is established, and another important aspect of the film: Veronica as the audience. The chapter then considers Cronenberg's oscillation between human seduction and scientific explanation in the interactions between Seth and Veronica. It also looks at the introduction of the third character of the love triangle, Stathis Borans. It is at this point that the singularity of Cronenberg's storytelling becomes strikingly apparent. With the introduction of Borans, Cronenberg has established the ‘trunk’ of his story structure, the interplay — conversational or otherwise — between Seth and Veronica, with all other scenes and incidences acting as ‘branches’ from this ‘trunk’. It is this singular simplicity of vision and structure that makes The Fly such a smart screenplay.
“我来这里是想对你们说一个神奇的词:芝士汉堡。《苍蝇》一场接一场:第一幕
本章对大卫·柯南伯格的《苍蝇》(1986)第一幕的场景进行了评价。影片以塞斯·布伦德尔(杰夫·戈德布鲁姆饰)对着镜头说话的中景开场;下一个镜头表明,布伦德尔实际上是在和吉娜·戴维斯饰演的Veronica“Ronnie”Quaife说话。几秒钟之内,叙事的双面格式就建立起来了,影片的另一个重要方面是:维罗妮卡作为观众。本章接着讨论了柯南伯格在赛斯和维罗妮卡之间的互动中,在人类诱惑和科学解释之间的摇摆。它还介绍了三角恋爱中的第三个角色,斯塔斯·博兰斯。正是在这一点上,柯南伯格叙事的独特性变得非常明显。随着Borans的引入,柯南伯格已经建立了他的故事结构的“主干”,赛斯和维罗妮卡之间的相互作用——对话或其他——所有其他场景和事件都是这个“主干”的“分支”。正是这种简单的视觉和结构使《苍蝇》成为一个聪明的剧本。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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