The image choices of social television audiences: The narrative of The Voice UK and La Voz (Spain) viewers on Twitter

C. Navarro, Núria García-Muñoz, Matilde Delgado
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引用次数: 1

Abstract

Content shared on social media platforms is increasingly centred on images and conversations discussing television on digital platforms are also influenced by this trend. This article examines the visual data posted by viewers while watching the 2019 edition of the Spanish and British adaptations of the international Reality Show ‘The Voice’. With the sample including images posted by viewers on Twitter during the broadcast of the episodes, the production formats, the type of content, the purpose of the images and the connection between the visual data and the text in the tweet have been analysed. The results highlight three different trends: the parallel visual narrative created by viewers on Twitter through the use of digital culture, the showcasing of their private sphere and the appropriation of images from the television episodes altering the discourse presented by the broadcasters.
社交电视观众的形象选择:The Voice UK和La Voz(西班牙)观众在Twitter上的叙事
社交媒体平台上分享的内容越来越以图像为中心,数字平台上讨论电视的对话也受到这一趋势的影响。本文分析了观众在观看2019年西班牙和英国版国际真人秀《好声音》时发布的视觉数据。样本包括观众在播出剧集期间在Twitter上发布的图像,分析了制作格式,内容类型,图像目的以及视觉数据与tweet文本之间的联系。研究结果强调了三种不同的趋势:观众通过使用数字文化在Twitter上创造的平行视觉叙事,展示他们的私人领域,以及从电视节目中挪用图像,改变了广播公司呈现的话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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