Le rose, la chimera e il viaggio: il dannunzianesimo rivissuto di Dino Campana

M. Imbriani
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Abstract

The essay aims to reconstruct, through the readings of the young Campana and the intertextuality between his and d’Annunzio’s work, the unbroken relationship between the two authors. We focus in particular on some thematic units, the roses, the chimera and the journey, with the awareness that ‘despised’ d’Annunzio has a large part in the construction of the Campana’s poetry collection, that even exhibits a first title of direct descent from d’Annunzio. Moreover, the d’Annunzio’s brand rules as well as in the Campana’s work also in his life, in that program of an inimitable live inverted, which takes its superomism, lived from below, to the second twentieth century beat generation.
玫瑰,奇美拉和旅行,迪诺·坎帕纳的末日
本文旨在通过对年轻的坎帕纳的阅读,以及他和丹农齐奥作品之间的互文性,重建两位作者之间不间断的关系。我们特别关注一些主题单元,玫瑰,奇美拉和旅程,意识到“被鄙视的”达农齐奥在坎帕纳诗集的构建中占有很大的一部分,甚至展示了第一个直接来自达农齐奥的标题。此外,dannunzio的品牌规则,在Campana的作品中也在他的生活中,在一个无与伦比的生活倒置的程序中,它带着它的超级主义,从底层生活到二十世纪的第二个垮掉的一代。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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