STRATEGI PEMBELAJARAN GITAR KLASIK DALAM PERLOMBAN FLS2N TINGKAT KOTA SERANG DI PROVINSI BANTEN

Syamsul Rizal, Vivi Ervina Dewi
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Abstract

: Learning classical guitar has its own level of difficulty when it comes to playing a song. Starting from right-handed or left-handed playing techniques, such as tirando, apoyando, arpeggio, scale, slur, and slide techniques. So that a teacher must have a strategy in delivering learning material to his students. So, to achieve maximum results in a classical guitar learning, a teacher must have a special strategy in achieving learning objectives. This article aims to analyze the classical guitar learning strategies used by Dandi Musa in providing material to his students. This study uses a qualitative method with a phenomenological approach. The subjects of this research are Dandi Musa as a classical guitar teacher and Aida Mulya L. and Raissa Bamban as students. Data collection through in-depth interviews, observation, and documentation. Data analysis using data reduction, data presentation, and conclusions. The results of this study state that the strategy in classical guitar learning used by Dandi Musa is structured. Namely through introduction strategies, core learning strategies, and learning evaluation strategies. so that through this strategy the learning outcomes are maximized.
班腾省FLS2N巴达城市水准吉他学习策略
当涉及到演奏歌曲时,学习古典吉他有它自己的困难程度。从右手或左手的演奏技巧开始,如地朗多、倒调多、琶音、音阶、音色和滑音技巧。所以老师在向学生传授学习材料时必须有策略。因此,为了在古典吉他学习中取得最大的效果,教师必须有一个特殊的策略来实现学习目标。本文旨在分析丹迪·穆萨的古典吉他学习策略,为他的学生提供素材。本研究采用现象学方法的定性方法。本研究的对象是古典吉他老师Dandi Musa和学生Aida Mulya L.和Raissa Bamban。通过深入访谈、观察和文档收集数据。使用数据简化、数据呈现和结论进行数据分析。本研究结果表明,丹迪·穆萨在古典吉他学习中使用的策略是结构化的。即通过引入策略、核心学习策略和学习评价策略。通过这种策略,学习效果最大化。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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