Literary journals and the professionalization of the Luxembourg literary system (1960-1980)

Fabienne Gilbertz
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引用次数: 0

Abstract

Two factors characterize post-war literature in Luxembourg: first, literary production consisted mainly of war and Heimat literature, mostly written by older and conservative authors. Moreover, there were hardly any literary institutions and publishers at the time and consequently only a very limited literary scene. In the 1960s, however, a young generation of relatively unknown authors started to challenge the dominant discourses and traditional formats by introducing new forms and topics into the literary system. At the same time, literary journals were founded, which allowed these authors to publish their texts and to present themselves to the public. An analysis of their programmes and publication practices shows that these – mostly ephemeral – journals not only contributed to the expansion of the literary repertoire but also had an important impact on the professionalization of Luxembourg literature in general. Against this backdrop, the article describes the crucial role of these journals in the development of the literary system as a whole and argues that aesthetic and institutional systemic shifts are always interdependent.
文学期刊与卢森堡文学体系的专业化(1960-1980)
卢森堡战后文学有两个特点:第一,文学作品主要由战争和黑马文学组成,主要由年长和保守的作家撰写。此外,当时几乎没有任何文学机构和出版商,因此只有非常有限的文学场景。然而,在20世纪60年代,年轻一代相对不知名的作家开始挑战主导话语和传统形式,将新的形式和主题引入文学体系。与此同时,文学期刊应运而生,这些作家得以发表自己的作品,向公众展示自己。对它们的方案和出版做法的分析表明,这些大多是昙花一现的期刊不仅有助于扩大文学作品,而且对卢森堡文学的一般专业化也产生了重要影响。在此背景下,本文描述了这些期刊在整个文学系统发展中的关键作用,并认为美学和制度系统的转变总是相互依存的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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