Visuals that Portray a Wind Farm

M. Rouge
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Abstract

John Debes, the founder of the IVLA, argues that our first language is body language – visual and tactile information together helping us make sense of the world (Debes, 1972). During research of the public response to what could be the first freshwater offshore wind farm in North America, on Lake Erie, participants have a distinctly embodied understanding of environmental information. Their oral stories, drawings, and written responses reflect use of visual literacy that personifies wind turbines, the lake, fish and birds, and Earth’s processes as human in nature. In return, participants’ perception of the wind farm’s features, size, and distance is skewed toward an immediate, physical presence. Between anthropomorphism and embodiment, what the general population sees as important in a large-scale sustainable energy project is very different from what is shown in technical documentation from scientists, engineers, and policymakers, complicating public decision making.
描绘风力发电场的图像
IVLA的创始人约翰·德贝斯认为,我们的第一语言是肢体语言——视觉和触觉信息共同帮助我们理解世界(德贝斯,1972)。在研究公众对伊利湖上可能是北美第一个淡水海上风力发电场的反应时,参与者对环境信息有了明显的理解。他们的口头故事、绘画和书面回应反映了视觉素养的使用,将风力涡轮机、湖泊、鱼类和鸟类以及地球的自然过程拟人化。作为回报,参与者对风力发电场的特征、大小和距离的感知倾向于直接的、实际的存在。在拟人化和具体化之间,在大规模可持续能源项目中,普通大众认为重要的东西与科学家、工程师和政策制定者在技术文件中所展示的东西大不相同,这使公共决策复杂化。
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