Reflection of Significant Theological Issues in the Lavra School Paintings of the First Third of the Eighteenth Century

Alina Kondratiuk
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Abstract

The article discusses the most significant monumental paintings of the Dormition Cathedral and Trinity Gate Church of Kyiv-Pechersk Lavra created in the first third of the 18th century. They are сonsidered in the context of the most important trends of spiritual and cultural life of the Hetmanate. The author concentrates attention on the important details that characterize the system of painting in those temples and underlines the close connection between fresco images marked by the inscriptions with the church literature of that time. Besides, among the results of the research there is the point that the Holy Liturgy is the most significant theme in the theological program of paintings of both Lavra temples.It is noted that the topic of the Holy Liturgy became one of the central themes in Ukrainian theology of the second half of the 17th century. Sharp disputes between Kyiv and Moscow theological circles were concentrated on the very moment of the Holy Liturgy associated with Eucharistic Transubstantiation. The author mentions publications of the Ukrainian Orthodox printing houses of that time, which covered that issue, and underlines a number of discrepancies in other dogmatic moments found in Kyiv and Moscow publications.Lavra school monumental ensembles of the first third of the 18th century are presented as a reflection of this topic. We believe that the idea of a figurative display of the liturgical ceremony on the walls of the altar first appeared in the paintings of the Dormition Cathedral of Kyiv-Pechersk Lavra. Thus, the way was paved for the topic that has become traditional and lasted like that over the century. The analysis of the preserved project of baroque paintings of the Great Church, available images of the Trinity Gate Church, and inscriptions makes it possible to say that the ideological and artistic content of Lavra school monumental paintings of the first third of the 18th century reflected the most relevant ideas of that time. Among them one could mention sharp theological disputes over the moment of Eucharistic Transubstantiation that typified the second half of the 17th century.
18世纪上半叶拉夫拉画派重大神学问题的反思
本文讨论了18世纪前三分之一世纪创作的基辅-佩切尔斯克教堂的安息大教堂和三一门教堂最重要的纪念性绘画。他们被认为是在最重要的趋势的精神和文化生活的背景下的酋长国。作者将重点放在这些寺庙绘画体系的重要细节上,并强调以铭文为标志的壁画形象与当时的教会文献之间的密切联系。此外,在研究结果中,有一点是神圣的礼拜仪式是最重要的主题,在两个修道院的绘画神学程序。值得注意的是,圣礼仪的主题成为17世纪下半叶乌克兰神学的中心主题之一。基辅和莫斯科神学圈之间的激烈争论集中在与圣餐变形体相关的神圣礼仪的非常时刻。发件人提到当时乌克兰东正教印刷厂的出版物,其中涉及这个问题,并强调在基辅和莫斯科出版物中发现的其他教条时刻的一些差异。18世纪前三分之一的拉夫拉学派纪念性合奏是对这一主题的反映。我们认为,在祭坛的墙壁上象征性地展示礼仪仪式的想法首先出现在基辅-佩切尔斯克教堂的绘画中。因此,这个话题已经成为传统,并持续了一个世纪。通过对保存完好的大教堂巴洛克绘画项目、三一门教堂的现有图像和铭文的分析,我们可以说,18世纪前三分之一时期的拉夫拉学派纪念性绘画的思想和艺术内容反映了当时最相关的思想。其中,你可以提到17世纪下半叶典型的圣餐变体时刻的尖锐神学争论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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