Metronome Music Time Capsule: rematerialising music consumption and exchange

Rishi Shukla, R. Stewart
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引用次数: 2

Abstract

The dematerialisation of music consumption is a well evidenced and widely accepted trend. Though much literature has been produced discussing the economic and legal implications of this significant shift for the music industry, its impact on listening practices and consequent considerations for interface design are less well researched. This paper outlines the development of a prototype system that explores, symbolically, the interplay between contemporary dematerialised modes of music consumption with listening traditions of the recent past. A pre-internet age metronome was re-purposed as a tangible interface for a custom music player containing 25 songs, drawn from the period 1940 to 2012. Together, the controller and software reflect through sound, graphics and physicality the progress of Western commercial music, technology and society over this time.
节拍器音乐时间胶囊:重新实现音乐消费和交换
音乐消费的非物质化是一个得到充分证明和广泛接受的趋势。虽然已经有很多文献讨论了这一重大转变对音乐产业的经济和法律影响,但它对听力实践的影响以及随之而来的界面设计考虑却很少得到很好的研究。本文概述了一个原型系统的发展,该系统象征性地探索了当代非物质化音乐消费模式与最近过去的聆听传统之间的相互作用。一个前互联网时代的节拍器被重新用作一个定制音乐播放器的有形界面,其中包含1940年至2012年期间的25首歌曲。控制器和软件通过声音、图形和实物反映了这段时间西方商业音乐、技术和社会的进步。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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