A Study of Exploratory Analysis in Melodic Sonification with Structural and Durational Time Scales

Takahiko Tsuchiya, Jason Freeman
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Abstract

Melodic sonification is one of the most common methods of sonification: data modulates the pitch of an audio synthesizer over time. This simple sonification, however, still raises questions about how we listen to a melody and perceive the motions and patterns characterized by the underlying data. We argue that analytical listening to such melodies may focus on different ranges of the melody at different times and discover the pitch (and data) relationships gradually over time and after repeated listening. To examine such behaviors in real-time listening to a melodic sonification, we conducted a user study employing interactive time and pitch resolution controls for the user. The study also examines the relationships of these changing time and pitch resolutions to perceived musicality. The results indicate a stronger general relationship between the time progression and the use of time-resolution control to analyze data characteristics, while the pitch resolution controls tend to have more correlation with subjective perceptions of musicality.
结构时阶与历时时阶旋律发声的探索性分析研究
旋律声化是最常见的声化方法之一:数据随时间调制音频合成器的音高。然而,这种简单的声音化仍然提出了一些问题,即我们如何倾听旋律,如何感知以底层数据为特征的运动和模式。我们认为,对这些旋律的分析聆听可能会在不同的时间集中在旋律的不同范围,并随着时间的推移和反复聆听后逐渐发现音调(和数据)的关系。为了检查实时收听旋律声音时的这种行为,我们对用户进行了一项使用交互式时间和音高分辨率控制的用户研究。该研究还研究了这些变化的时间和音高分辨率与感知音乐性的关系。结果表明,时间进度与使用时间分辨率控制来分析数据特征之间存在更强的一般关系,而音高分辨率控制往往与主观音乐性感知更相关。
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