The Trauma of Post-Apocalyptic Motherhood

M. Ames
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Abstract

Shifting from a focus on fictional fathers to fictional mothers, Chapter Five, analyzes the ways in which AMC's hit show, The Walking Dead (2010-present), critiques contemporary gender roles. Through a study of one particular character, Carol Peletier (Melissa McBride), this essay argues that the violent landscape of the zombie narrative might be an ideal space in which to interrogate conceptions of femininity more broadly, and maternity more specifically. This essay attends to the ways in which this character was punished within the narrative of the show for deviating from gender norms, but was embraced by fans on social media for those very same actions.
后世界末日母性的创伤
第五章将焦点从虚构的父亲转移到虚构的母亲,分析了AMC热播剧《行尸走肉》(2010年至今)对当代性别角色的批评。通过对一个特定角色卡罗尔·佩莱蒂尔(梅丽莎·麦克布莱德饰)的研究,本文认为,僵尸叙事的暴力景观可能是一个理想的空间,在这个空间里,我们可以更广泛地审视女性气质,更具体地审视母性。这篇文章关注的是这个角色在这部剧的叙事中因偏离性别规范而受到惩罚的方式,但也因为同样的行为在社交媒体上受到了粉丝的欢迎。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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