Where Goes the Neighbourhood?

It Follows Pub Date : 2018-08-27 DOI:10.2307/j.ctv13841bg.6
Josh Grimm
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Abstract

This chapter looks at one of the reviews of David Robert Mitchell's It Follows from a local paper in Detroit, which describes the film's surroundings as disorienting but well-suited to the local landscape. It mentions Mitchell's emphasis on the importance of Detroit as the city where he grew up and as the site for his first movie The Myth of the American Sleepover. It also talks about Detroit's economic decline, with the city losing over a quarter of a million people between 2000 and 2010 and half its entire population since 1950. The chapter explores other horror films that discuss urban poverty, such as The People Under the Stairs (1991) and Candyman (1992). It highlights the difficulty of separating issues of class and race in US horror cinema.
邻居们都去哪儿了?
本章着眼于底特律当地一家报纸对大卫·罗伯特·米切尔(David Robert Mitchell)的电影《跟随》(It Follows)的一篇评论,该评论称电影的环境令人困惑,但非常适合当地的景观。它提到米切尔强调底特律的重要性,因为底特律是他长大的城市,也是他的第一部电影《美国人过夜的神话》的拍摄地。它还谈到了底特律的经济衰退,该市在2000年至2010年间失去了超过25万人口,自1950年以来失去了一半的人口。这一章探讨了其他讨论城市贫困的恐怖电影,如《楼梯下的人》(1991)和《糖果人》(1992)。它突出了在美国恐怖电影中区分阶级和种族问题的困难。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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