‘All Things are Words of Some Strange Tongue’: Dictionary Definition Form in Contemporary American Poetry

Kate Potts
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Abstract

Through close analysis of dictionary definition form in the poetry of Robert Pinsky, Mary Kinzie, and Solmaz Sharif, and with reference to Mikhail Bakhtin’s The Dialogic Imagination (1975), this chapter explores the ways in which the dictionary definition poem celebrates and also questions the dictionary’s authority through the dialogic juxtaposition of different forms, registers, and discourses. The analyses problematise binary distinctions between poem as sound-focused, subjective, and individually constructed, and dictionary definition as textual, objective, and communally constructed. Both the dictionary definition and the poem share an association with word as artefact, with cultural memory and history, preservation and loss. This chapter demonstrates how, by encouraging the reader to ‘dwell in possibility’, the dictionary definition poem offers a fertile space for the discussion and reconfiguration of cultural meaning.
“所有的东西都是某种奇怪的语言”:当代美国诗歌的词典定义形式
通过对罗伯特·平斯基、玛丽·金齐和索尔马兹·谢里夫诗歌中的词典定义形式的仔细分析,并参考米哈伊尔·巴赫金的《对话想象》(1975),本章探讨了词典定义诗歌通过对不同形式、语域和话语的对话并置来庆祝和质疑词典权威的方式。分析问题的诗歌之间的二元区分作为声音集中,主观的,和单独构建,和字典定义作为文本,客观的,和共同构建。词典的定义和这首诗都与作为人工制品的单词,与文化记忆和历史,保存和损失有关。本章展示了词典定义诗如何通过鼓励读者“居住在可能性中”,为文化意义的讨论和重新配置提供了一个肥沃的空间。
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