‘Atawit Nawa Wakishwit’: Collective songwriting with Native American youth

P. Campbell, Christopher Mena, Skúli Gestsson, William J. Coppola
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引用次数: 3

Abstract

This article chronicles a four-month facilitative teaching collaboration between a music education team from the University of Washington and youth enrolled in a Native American tribal school in the Pacific Northwest of the United States. The collaboration embraced a creative process honouring student voices, community values, principles of indigenous pedagogy, and an earnest effort to support student expressive impulses that blend their Native American heritage with a pervasive interest in popular music. A collective songwriting process with roots in indigenous practices from Chiapas, Mexico was employed as the framework through which students confronted social and cultural matters. The school is located in a community where language and ways of living are threatened – a concern upon which students reflected in writing a song partly in their endangered Native language of Sahaptin. The process is described as a pathway to the use of creative avenues that address social issues among marginalized youth towards artistic and sociomusical ends.
“Atawit Nawa Wakishwit”:美国土著青年的集体歌曲创作
本文记录了华盛顿大学的一个音乐教育团队与美国西北太平洋地区一所印第安部落学校招收的青年之间为期四个月的促进教学合作。这次合作包含了一个创造性的过程,尊重学生的声音、社区价值观、土著教学原则,并认真努力支持学生表达冲动,将他们的美国土著传统与对流行音乐的普遍兴趣融合在一起。一个植根于墨西哥恰帕斯州土著实践的集体歌曲创作过程被用作学生面对社会和文化问题的框架。学校位于一个语言和生活方式受到威胁的社区,学生们用他们濒临灭绝的萨哈普丁语写了一首歌曲,部分反映了这种担忧。该过程被描述为利用创造性途径解决边缘化青年的社会问题,以达到艺术和社会音乐目的的途径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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