Music Born of the Streets

Yelena Bailey
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Abstract

Chapter 4 examines the history of hip hop as a genre that was literally created in the streets (at block parties). Additionally, this chapter explores the role of hip hop as a Black art form that provides a complex picture of Black space. As a part of this discussion, this chapter analyzes The Fugees’s The Score, Lupe Fiasco’s The Cool, and Kendrick Lamar’s Good Kid, M.A.A.D. City as examples of how hip hop operates as an art form that humanizes Black youth in counter cultural ways.
音乐诞生于街头
第四章考察了嘻哈作为一种流派的历史,它实际上是在街头(在街区聚会上)创造的。此外,本章还探讨了嘻哈作为一种黑人艺术形式的作用,它提供了一幅黑人空间的复杂画面。作为讨论的一部分,本章分析了The Fugees的《The Score》、Lupe Fiasco的《The Cool》和Kendrick Lamar的《Good Kid, M.A.A.D. City》,以此作为嘻哈如何以反文化的方式将黑人青年人性化的艺术形式。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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