{"title":"¿Original y copia?: El collage y la cita en la producción teatral de Hierba Roja Teatro","authors":"G. Radice","doi":"10.34096/teatroxxi.n35.7054","DOIUrl":null,"url":null,"abstract":"The purpose of this paper is to investigate the rewriting and quotation as rhetorical operations for the construction of theatrical productions in the scenic research group Hierba Roja Teatro. To meet this objective is to take as variables the concepts of mark, remainder and excess to understand the new paradigms of contemporary theater in La Plata.","PeriodicalId":431099,"journal":{"name":"Teatro XXI","volume":"23 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2019-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Teatro XXI","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.34096/teatroxxi.n35.7054","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
The purpose of this paper is to investigate the rewriting and quotation as rhetorical operations for the construction of theatrical productions in the scenic research group Hierba Roja Teatro. To meet this objective is to take as variables the concepts of mark, remainder and excess to understand the new paradigms of contemporary theater in La Plata.